Showing posts with label London. Show all posts
Showing posts with label London. Show all posts

Wednesday, 17 October 2012

Does British politics need rebranding? (Part I)

Occupy London: Some people still get passionate about politics (©Max Nash/PA Wire)
On Saturday I was invited to represent Catch21 at a Bite the Ballot debate on rebranding politics at the Youth Enterprise Live event at Earls Court. The key issue was how politics could evolve to be less elitist and more appealing to people in order to create a fuller democracy, and whether young people could lead this change. The discussion was audience led and there were some very strong opinions put forward. Although by no means unanimous, there was a generally held view that politics was elitist, out of touch and needed to be seriously modified to reconnect with people.

My fellow panellist Shaun Bailey, who came from a council estate to having the ear of the PM, told the crowd “you don’t know how good you’ve got it” and came close to being heckled. He argued that compared to other, far more corrupt systems of government elsewhere in the world, we in Britain had the power to really change things for the better, but it was down to the individual to do this. The murmurs of discontent were understandable from an audience who sees the current system as synonymous with the highly stratified society we live in. When a teenager in the riots gets six months for swearing at a police officer, is it any wonder that London’s politically aware young people get mad when David Cameron backs Andrew Mitchell over pleb-gate?

Of course, both sides are correct. Politics does need to be rebranded and reinvigorated; it needs to be more representative of society, and matter more to more people. Undeniably however we are also blessed with a (relatively) uncorrupted system in which citizens can make a difference. Labour MP Gloria de Piero has conducted a study into why people ‘hate’ politicians and identified some core problems. She argued that the man in the street did not believe that politics particularly affected him, or that he could really change anything or get involved. She also said that people did not see politics or parties as representative of the public.

The latter problem is already well known; governments on both sides (but particularly on the right) are always keen to get more people from business into politics, in an attempt to break the cycle of career politicians. But how to do this? Party politics is not an overly appealing prospect for top business chiefs used to the freedom of dynamic private sector businesses. The former of Ms de Piero’s issues could simply be a matter of marketing. However I think both are symptoms of a bigger problem in our party political system.

Unfortunately, this problem is not likely to change very fast. British politics is a zero-sum game. The winner gains power for five years and has control of policy. It is therefore in the parties’ interests to do whatever they can to work against the other. Through this, complex issues are given black and white answers. Answers that should require nuance become a simple choice of ‘us versus them’; parties promise one thing, and then find that the reality makes their actions more complicated. Politicians defend their failure if they are in power, or condemn success when they are in opposition. All sides come out looking like liars.

I would obviously not make a good politician; I’m probably a bit too honest for my own good. I think if we saw a bit more honesty from politicians however, a bit more willingness to admit mistakes, and a bit more cooperation across the parties, the public may think that they are less out for self gain and more working in the interests of the country.  The effects may not be as damaging as politicians would fear: An interesting article from Matt Paris has argued how the cliché ‘a week is a long time in politics’ is only really applicable to a select clique of interested observers. For Joe Bloggs, ten years is a more appropriate length of time to judge parties on. The conclusion is that things such as ‘pleb-gate’ or departmental cock-ups like the West Coast rail franchise affair may not be noticed by the public as much as everyone in the inner circle fears. To draw a tangent, you could argue that if politicians were more down to earth and honest, they could gain more in their successes than they lost in popularity from their failures.

So we come back to the issue, and perhaps the solution – how to get more ‘ordinary’ people into politics; how to make more politics more representative and prevent the majority from feeling isolated. There seems to be cross the board agreement on this need. But neither ‘ordinary’ people nor business chiefs are going to be interested in playing the party game when it’s so messy and mired in slander.

In part two of this discussion, I will look at some more practical measures to draw in young people and the population as a whole, things like devolution, elected mayors and media. Finally I will look at how the nasty side of politics can actually be turned into a strength: Politics is exciting and you only have to look back a few decades to see how invigorated and passionate young people used to feel about politics. Maybe it could just be an issue of connecting politics with young people in a way that they find exciting and appealing. 

Read more from Iain at: http://www.catch21.co.uk/blog

Friday, 22 June 2012

ART


THE KIZITO ARTS MOVEMENT

"I am what I am because of who we all are."- Leymah Gbowee

Welcome to the world of the controversial and provocative Artist Patson Ncube and his fascinating new project - The KIZITO Arts Movement



The KIZITO Arts Movement is a large collective of Artist's local to Cambridge, London and Brighton. To date, featuring the work of Elise Naomi Buddle, Helen Lanzrein, Joe Dean, Nicola Powys, Oliver Wallington and Richard Hickman, this is an expansive and varied family, the very backbone of the project, though, lies buried deep in the complex and compelling works of the collective's founder - Zimbabwean Artist Patson Ncube. 

"How do I explain Ubuntu? It is everything. Everywhere. Ubuntu is what it means to be human. It is working together, creating together, surviving together."
Patson Ncube has been making provocative, political, richly spiritual paintings for many years. A graduate of Westminster School of Art, he has squatted in London warehouses, campaigned outside government buildings and taught Art at various different levels across the western world. However, always at the very heart of his work the concept or philosophy of 'Ubuntu' has remained central. 'Ubuntu' is an illusive and expansive African philosophy mysteriously devoid of a tangible origin, discussed by a wealth of leading political figures, from Desmond Tutu to Nelson Mandela, and embodying all the invaluable virtues that society strives for, clasping for harmony and the spirit of sharing among it's members. 'Ubuntu' essentially promotes an altruistic ethic, a way of life that requires constant selflessness, constant understanding of your surroundings and of your fellow human beings.

It is this fascinating concept, this idea that "United we stand, divided we fall" that clearly excites Ncube. He discusses the concept with a gleam in his eye and the sort of thoughtful eloquence one would expect having observed the intellectual complexities of his work. The painting shown above, which will possibly be included in several of the upcoming shows, is a piece entitled "My God Is A Nigger" and while at first glance it seems little more than frank, candid, provocative scrawling, when he discusses this work Ncube explains that it is clearly not a controversial publicity stunt. "That painting says it all. God is always what people want him to be. He is everything to everyone and to me... he is exactly that. But if he is everything to everyone... why do we fight over him?" Ncube's work typically combines these bold rebellious observations about Religion and Racism with a strong personal narrative, weaving African history, attractively abstract colour schemes and wonderfully simplistic designs with an immediate sense of spirituality, seemingly portraying one man's journey into his past and surroundings and often evoking a sense of disbelief and incredulousness upon arriving at his destination.

Ncube's work has undoubtedly undergone an evolution of sorts, from his early works that were clearly  voicing a very angry, very critical take on his surroundings, to his more ambiguous, more spiritual works in recent years, he explains, "Coming from where I come from, Zimbabwe, looking at my early work... I was very angry. It was just something I never understood, that someone could not only discriminate but that they couldn't possibly co-exist with me, just because of the colour of my skin or where I come from, it made me crazy. I thought I was going mad, I was always thinking 'What the fuck?'"
Thankfully, though his work is more quietly observant nowadays, it still retains this air of disbelief, this 'What the fuck?' sensibility and it's this combined with his understanding of 'Ubuntu' philosophy that provides the backbone to the incredibly varied KIZITO Arts Movement exhibitions that begin on the 7th of July at 'Cafe Julienne' on Regents Street, in Cambridge.


At the heart of the exhibition is the idea of unity. The sense that the collective is more important than the individual, and fittingly, Ncube has gathered an unusually varied community of Artists who will be contributing to the series of KIZITO Art exhibitions, set to descend upon several locations in Cambridge, before travelling to Brighton and then later in the year, showing at various London galleries and spaces. One of these individuals is Elise Naomi Buddle, a Brighton-based Artist whose gloriously hypnotic works (above) explore notions of control in society, both in their conception and in their complex execution. She creates expansive, truly visually arresting works, rich with ambiguous imagery and symbolism, that evoke atmospheric landscapes seemingly inspired by abstract forms. When seen alongside Ncube's own spiritual journey's the works compliment and communicate with each other; illustrating the truly collaborative nature of 'Ubuntu' philosophy and the unity that lies within very different Artist's work.

Oliver Wallington's work, (above) large abstract paintings, site-specific and video installations, explore violence and intimacy using grotesque, fractured forms and looming religious imagery while casting a broad cynical eye at contemporary society and it's treatment of the themes central to his work. Though perhaps a little less aesthetically pleasing than Buddle or Ncube's work, again when seen together in a KIZITO exhibition, the sense of collaboration and collective exploration translate beautifully. (If I may say so myself.)




Another greatly anticipated contributor is the hugely talented Joe Dean - a superb figurative Artist whose own work draws on delicate observations of nature and his environment and captures, in stunning oils, beautiful moments from a wide range of classic Cinematic moments, will be a particular hit at The Cambridge Arts Picturehouse, which is where the exhibition moves on the 3rd of August.

Upon reflection, observing the various members of this new KIZITO Arts Collective, many of which are not covered in this article, one is struck by the incredible quality of the varied work on show and the inexplicable sense of unity that a collection of their work evokes, in fact an important 'Ubuntu' philosophy suddenly springs to mind, in the words of Desmond Tutu "We think of ourselves far too frequently as just individuals, separated from one another, whereas, in fact, we are all connected and what we do affects the whole World. When you do well, it spreads out; it is for the whole of humanity."

The KIZITO Arts Movement looks to combine the insurmountable talents of a variety of contemporary Artist who might otherwise be overlooked or remain solitary and create a series of exhibitions that will continue to evolve and grow, adding members as they travel, spreading their message of community and unity and showcasing a broad plethora of stunning talent while actively illustrating the power and beauty of thoughtfully curated ensemble exhibitions. Together indeed, they stand and united they surely won't fall.


Find the KIZITO Arts Movement at; 
twitter: @KIZITOArts
            @WallingtonArt


Facebook: www.facebook.com/KizitoArtsMovement


Blog: http://kizitoartmovement.wordpress.com/

The KIZITO Art Movement are: 
Elise Naomi Buddle
Helen Lanzrein
Joe Dean
Patson Ncube/KIZITO
Nicola Powys
Oliver Wallington
Richard Hickman